Jean Vigo died at the age of 29. He made a total of four films. Yet his myth sails on.
From Nietzsche's silence to the bare life of the body: Bela Tarr's final opus is a film of devastating nakedness.
French cinema lies somewhere in between iconicity and iconoclasm. Charles Drazin's new book explores the history of its tradition and auteurs.
Terrence Malick's newest film signals a full-on return to American Transcendentalism.
From Metacom to the Maya, Revere to Aronofsky, etchings to CGI, the Indian is delivered with deformities.
Cine Foundation International entreats us to consider the plight of Iranian filmmakers Jafar Panahi and Mohammad Rasoulof.
Andre Bazin's theory of the "ultracinematographic" technique finds its voice in a landmark film by Argentine director Mariano Llinás.
Hydra Magazine's Ten Best Films of 2010, featuring films from Thailand, China, Mexico, France, Turkey, South Korea, and Estonia.