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	<title>Comments on: Hydra: Heritage and Associations</title>
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	<link>http://www.hydramag.com/2010/02/06/hydra-heritage-and-associations/</link>
	<description>Literary arts magazine dedicated to the wayward, ordinary, bizarre, everyday, and the impossible.</description>
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		<title>By: Michael Krimper</title>
		<link>http://www.hydramag.com/2010/02/06/hydra-heritage-and-associations/#comment-2850</link>
		<dc:creator>Michael Krimper</dc:creator>
		<pubDate>Wed, 10 Feb 2010 02:41:12 +0000</pubDate>
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		<description>What is an art work if not the product of the artist&#039;s own transparent intentions and personal vision? We have a whole new archaeology to build in order to interpret the life force submerged in the art work, unveiling glimmers and quivers and reflexes of meaning and yes, that substance, that spirit stuff of life.</description>
		<content:encoded><![CDATA[<p>What is an art work if not the product of the artist&#8217;s own transparent intentions and personal vision? We have a whole new archaeology to build in order to interpret the life force submerged in the art work, unveiling glimmers and quivers and reflexes of meaning and yes, that substance, that spirit stuff of life.</p>
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		<title>By: Alison</title>
		<link>http://www.hydramag.com/2010/02/06/hydra-heritage-and-associations/#comment-2849</link>
		<dc:creator>Alison</dc:creator>
		<pubDate>Wed, 10 Feb 2010 00:46:41 +0000</pubDate>
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		<description>As a writer, what greater pleasure exists than to overhear conversations between texts, images, and music--then to participate in the very conversations that you observe?

Funnily enough, your article reminded me a bit of Milton&#039;s &lt;i&gt;Areopagitica&lt;/i&gt;--different subject, of course, but some echoes nonetheless.  My favorite part of Milton&#039;s piece: the parable of Truth, the loveliest and most perfect being imaginable, who is torn limb from limb into a thousand pieces and scattered to the winds.  Truth, according to Milton, is found in fractals--each facet a shaded glass that reflects and illuminates another.  He writes: The light which we have gain&#039;d, was giv&#039;n us, not to be ever staring on [it], but by it to discover onward things more remote from our knowledge.&quot;

Man, that line is SO GOOD.  While Milton may have meant &quot;religious truth,&quot;  I think the thought extends to all things.  And, in a weird way, it relates to your project, too.  How else can we get to the substance of a matter--that &quot;it,&quot; that lifeforce---without using other texts, images, songs to illuminate its hidden order?  And then, when we find that shred of magic, we march in its light towards the next facet, and on, and on.  Extending, revising, untangling its glistening line. 

Thanks for writing.  Looking forward to continuing the conversation, via reading and writing.</description>
		<content:encoded><![CDATA[<p>As a writer, what greater pleasure exists than to overhear conversations between texts, images, and music&#8211;then to participate in the very conversations that you observe?</p>
<p>Funnily enough, your article reminded me a bit of Milton&#8217;s <i>Areopagitica</i>&#8211;different subject, of course, but some echoes nonetheless.  My favorite part of Milton&#8217;s piece: the parable of Truth, the loveliest and most perfect being imaginable, who is torn limb from limb into a thousand pieces and scattered to the winds.  Truth, according to Milton, is found in fractals&#8211;each facet a shaded glass that reflects and illuminates another.  He writes: The light which we have gain&#8217;d, was giv&#8217;n us, not to be ever staring on [it], but by it to discover onward things more remote from our knowledge.&#8221;</p>
<p>Man, that line is SO GOOD.  While Milton may have meant &#8220;religious truth,&#8221;  I think the thought extends to all things.  And, in a weird way, it relates to your project, too.  How else can we get to the substance of a matter&#8211;that &#8220;it,&#8221; that lifeforce&#8212;without using other texts, images, songs to illuminate its hidden order?  And then, when we find that shred of magic, we march in its light towards the next facet, and on, and on.  Extending, revising, untangling its glistening line. </p>
<p>Thanks for writing.  Looking forward to continuing the conversation, via reading and writing.</p>
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